I’ve decided to storyboard a book in which Jump the Shark fights a giant robot on a volcano. Standard Kid’s Pulp formula faire, designed to be read to your kid in 7 minutes before bed, and yet be entertaining for all.
This is partly due to peer pressure…
Partly due to the fact that I’ve pursued my prototyping comic extensively for the last couple of weeks, and, stepping back, I’m not sure what I think of it. I think I’m investing too much effort for something I’m supposed to be able to take or leave on the cutting room floor, but not enough effort for something I’d like to sell.
For the last week or so, I’ve been assuming the comic is a resounding success that adequately pursues my goals while giving enough headway to my ADHD to avoid being confounded by it. But now I’m not sure. I want to trash or heavily revise two or three long-running storylines in the comic — and fair enough. It was designed so I could take it or leave it — but I’ve invested enough in the art that it’s a genuine emotional struggle.
Making a formula book is a good way to take a step back. It gives me the boost of adding another finished product to my lineup. It allows me to focus on all the lessons I’ve learned making books thus far, whereas more “serious” work, while incorporating those lessons, isn’t focused on them. It’s also a good dose of humility. I need to remind myself that my artistic pretensions are no substitute for skill, and what I want is not more important than what my audience wants.
And it’s an excuse to just have fun. The Jump the Shark books are me bullshitting for the sake of bullshitting for the entertainment of myself and my offspring. And, probably because they have that energy, people respond to them.
But frankly, there’s a part of me that thinks I should just make big ol’ children’s books. It’s the one win I ever get. I am inevitably drawn off that path, and yet whenever I step back on the path, things work out better. If I just stuck with it, I might see some proper success, too.
Anyway, I’m considering switching from a workflow of making these comics every day to a workflow of just building draft PDFs of children’s books. Maybe do a few pages of Jump the Shark, a few of Hat Trick, whatever strikes my fancy, all of them by the book and hewing to the formula (until such time as I have mastered the formula) and then produce whichever one is ready to go first.
In side news, I’ve been sculpting Crossover Arcade characters to fit in a toy voxel diorama world.
I really like this look. I want to use it for something some day. A book perhaps. But that’s… a lot more work between here and a finished product (although it will have the advantage that each finished book will make sequels exponentially easier due to asset reuse).