Of all the ELFs, Leaf Nodes are the least human. The zoomorph files have shown irrevocable sapience breakdown at about 63% genetic fidelity; to be safe we limited the Leaf Nodes to 67%; no lower.Continue reading “Dr. Djalivren’s Notes: Leaf Nodes”
Not much to say. I left y’all on page 36. We begin this week on page 44. In addition to transcribing a handful of pages, I sculpted a face designed to look enough like Clay to be related, but distinct and different. This face will serve for Joseph and Jesse and I have named it Bo.
I’m not happy with the nose. My rough idea was take everything that was triangular and make it square, and I’m mostly okay with it. I also made this guy:
He wasn’t meant for the Awesome Moments books, but I might stick his head on a random bystander. I meant to make a political cartoon with him but then I thought better of it. His face is distinctive enough, though, that I do not regret making him.
Well! Time to transcribe until I can take it no more, at which point it is time to do something else. Preferably create art that can be used in the Kickstarter. At this rate, I should finish the PDF this week, though that may be tomorrow or Thursday, depending on how I manage to get on.
I am about to speak ill of the dead, and to recount from my faulty memory scandalous things. God forgive me. But let’s have a little talk about tweetle beetles…Continue reading “Dirty Socks”
It’s Report Day. We got the cover art made:
Created puppets for the fallen serpent, and for the floating mountain/garden/ziggurat of Eden/New Jerusalem:
We also, in what is a super tedious process, made it through page 36 of transcribing the storyboards into Scribus. I’m becoming more and more familiar with the software, finding ways to make it behave. So that’s good. But this sucks and I never want to do it again.
This book is not the first book I’ve storyboarded, nor the last. Fortunately, most of the others are comic books, which wouldn’t use this process to begin with, and the exception is my Bestiary, which is still in tinker mode.
I settled on this method after my previous books.
Jump the Shark 1 was storyboarded on paper. Alphabeasts had no storyboard at all, just concept sketches for the characters. Death of Arthur was storyboarded on index cards. And Pirate Princess was written, with no illustrations, to test the Kids’ Pulp Formula.
The result was that for three books, I wrote to illustrations, and for the fourth, I illustrated to the writing. I was dissatisfied with both approaches. I felt I ought to write and illustrate at the same time, so that the words and pictures could be designed to support each other and edited at the same time. And thus I have done. In each case, I create a template with margin lines and some sample text at the target point size in Inkscape, then import this template into Krita:
Then I draw and write what I intend to draw and write in Krita. Krita’s text tools are not nearly so accurate or useful, though, so I do it with the knowledge that I’m just composing and positioning the text to get a rough idea of where it’s gonna go…
With the idea that for the first draft, I’ll import the storyboard image minus the text into Scribus, and type the text in. This is the step I’m on now in Awesome Moments 1.
Now, Scribus isn’t embedding the image data in the .sla document. It’s pulling it from disk. Which means when I finish the final quality image, I should be able to just save it over the storyboard image, and it will magically update in Scribus. Nice!
Problem is I can’t just copy and paste the text over from Krita to Scribus, and retyping everything is tedious as heck. I want to tear my hear out after two or three pages.
I think, henceforth, I shall be composing my storyboards IN Scribus. I’ll add the pages in the appropriate place, save a “storyboard image” that is nothing more or less than the template in the appropriate folder, then I’ll type the text into Scribus, and draw the art in Krita, saving over the template image as I go.
It is, alas, too late to do this for Awesome Moments 1. I am committed to see the drudgery through. But the pain will serve to strengthen the lesson.
Anyway, I become increasingly doubtful I’ll be ready to Kickstart even by the Equinox. I’m moving the target to April.
Tomorrow I have to do farmhand stuff during my normal creative block, and Sunday is for the Lord. I’ll try and make headway on the PDF draft today, and burn off my aggravation by sculpting things that will actually be useful for the campaign. But I have to allow that this may be the end of the progress for this week, and if I have more to show when I start up again on Monday, it’s a gift from God to me.
Frankly, the realization that I find this process tedious, and I could have composed the storyboards in Scribus from the very start is a gift.
The correct time to make this update was yesterday, but I was unfortunately hijacked by dogsitting.
The original intended launch date for my crowdfund is the Ides of March, a week from yesterday. In that time, I aim to:
- Create a 3D mockup of the book.
- Create the PDF of the first draft and send it to Amazon for a print test
- Create the trailer for the fund.
- Pick one of the more spectacular pages or 2-page spreads and produce it as an example of the finished project.
I strongly doubt I can accomplish all of this in that time. It’s just barely possible, but I’d have to devote a lot more time to work on it per day. So my new plan is to have it ready for launch on the Ides, but to actually launch it on the Equinox.
So here’s our test of the Seraph-serpent of Eden:
One thing that’s worth noting is that while I am using 3D puppets to create 2D drawings, I am not exactly tracing. Anytime something doesn’t ‘look’ right, I fix it, even though the 3D even when it looks “wrong” is more accurate to how shapes would work in reality. And, of course, I put more detale and sculpting into my puppets than I convey with my art.
So while it looks pretty clear that I’m just tracing this image to make this image:
Directly layering one over the other will show I’m warping and changing stuff.
Anyway, that’s my sketch for the cover art. I’m going to ink it in 2+ layers so I can sandwich the title text between the seraph and the men.
Anyway, assembling this cover is my next big task in the process of making this book.
I do not think, at this rate, I’m going to be crowdfund ready by the ides. I’m still aiming solidly at that though.
Got a new brush in the mail: a Princeton Round # 2 mini-detailer. The Windsor and Newton is more frizzy than an angora goat, and has been disposed of. At some point in the next few days, I need to create some big scene that I can illustrate with the tombows, the pentel, and the brush, so I can get a feel for the differences.
Spent yesterday tinkering on my RPG engine.
I finished out Tuesday by modelling Zoe, our puppet to play Eve and (probably) Mary and making a test drawing of the expulsion, which resulted in the above cartoon.
And just today, I tried shrinking the heads on the puppets to 80%. Because I always go overboard with the cartoon proportions.
Looks much better. It still looks cartoony enough for my tastes.
In real life, a person is 6.5 to 7 heads tall. Comic book or idealized proportions are usually around, what, 8 heads tall? According to this image I cribbed from Jesse White, 8.5 heads tall.
How do Clay and Zoe stack up with the 0.8 heads?
Three and change apiece. But again, I’m going out of my way to produce cartoon characters, not comic book characters.
So here’s the to-do list of next tasks:
- Finish transferring the storyboard to the PDF
- Sculpt an angelic dragon to play the Serpent of Eden.
- Create a full page illustration in a finished style, for promotion purposes.
- Create a reasonable facsimile of the cover.
These can be done in any order, as I feel like. All of them need to be done before I can launch the crowdfund, and none of them is dependent on any other (although modeling the Serpent opens up possibilities for both the illustration and the cover).
I’ve been focusing on the creative work because it’s more fun. E.g. the next thing I “want” to do is sculpt the serpent. The theory I gave on Monday is that I can do the busywork (transferring the PDF) any time. But if any time never comes, it never gets done.
Eh. Let’s make the serpent today. We’ll do a variation on this picture:
With the new proportions and the serpent in the middle for the cover. After all, a good way to think of book 1 is the Kings of Earth. Adam, Satan, and Christ, are the three entities who can reasonably claim to be King of the Earth.
I’ll try and schedule a block of busy work for this afternoon/evening and see how it goes before I decide to double down and finish the PDF during my prime creation hours.
There’s a start.
And I got a Pentel Pocket Brush in the mail. Left is the Pentel, right is the Tombows, using the Pentel to fill in the blacks.
The pocket brush affords me much of the same life that the Windsor & Newton did, but more controlled. I can almost, almost draw with it. I think there’s a small but serious chance that with practice, the pocket brush may become my favorite way to ink. I think there is a larger chance that I will continue to work with some combination of the pocket brush and the Tombows.
Here we are colored in.
Next tasks on the list:
- Produce a page in the chosen style. Using just Clay, here, I can produce page 4 or 5 (or both).
- Sculpt models for Eve and for the Serpent.
- Finish transferring the storyboard graphics and 1st draft text over into Scribus. (We’ve barely started, but I made an executive decision to work on the sculpts because transferring pages over is busywork, and can be done when I’m creatively tapped out).
- Compose the first draft of the the Kickstarter pitch
- Create the draft Kickstarter campaign so I can begin designing the graphics needed to make it work.
- Contact people willing or likely to help me publicize my campaign.
Obviously, sculpting a naked caricature of whatever I think is the standard of feminine beauty, or a freaking angel dragon, are the most fun things on the to-do list.
This is Clay. It’s his job to model for characters who, in my books, are going to be or resemble Christ (that is, in addition to Our Lord, Adam, David, probably Judah). Assuming I decide to go with this model. I may scratch it and start over, try and get proportions I would like better. I think I did okay with the face though.
May God forgive me for the caricature.
Work on Clay and other 3D sculpts will resume later, though. First thing’s first. I need to go through my storyboard, add a couple pages, and produce the test PDF.
The test PDF will have my storyboard low-res graphics, and my initial text. It’ll get sent off to the Amazon printer, so I can edit the book in physical form, as well as make sure the color choices “work”. Once I make a PDF for the test print, changing the length of the book is a Big Deal, so I need to add some bonus pages to give the document room to expand if it needs to.
That’s today’s big project. I should also get a new brush pen in the mail in the next couple of days, and a new paint brush, and I’ll need to pick a page to produce as a finished illustration both to test the pens, and have art for the crowdfund. The illustration producing process ideally also starts today, but is more likely to start tomorrow or later.
When I get a chance, I need to finish Clay. Give him hands, hair, an armature, and a wife.
Well, lads, this is it. Project of the moment is to fund Awesome Moments 1.
So, I took the Awesome Moments concept sketch of the Risen Lord…
..and did a quick version according to my current theory of cartooning.
It hasn’t had as much effort put into it. But I’m considering shifting the art style, and I need points of comparison to analyze.
Probably should have made a “new” version of Adam and Eve instead. I’m a little leery about drawing Our Lord at all, let alone as a cartoon character. But one of the plans of the book is to represent the first and second Adam as visibly twins, to help drive home the second Adam thing. In fact, I’m going to do that right now.
Warning: Cartoon PG-13 nudity below the fold.Continue reading “Caricatures of the Most High”