So, I took the Awesome Moments concept sketch of the Risen Lord…
..and did a quick version according to my current theory of cartooning.
It hasn’t had as much effort put into it. But I’m considering shifting the art style, and I need points of comparison to analyze.
Probably should have made a “new” version of Adam and Eve instead. I’m a little leery about drawing Our Lord at all, let alone as a cartoon character. But one of the plans of the book is to represent the first and second Adam as visibly twins, to help drive home the second Adam thing. In fact, I’m going to do that right now.
Normally, I would put off the Captain’s Log post for Friday, but I’ve only got three workdays left in this month, and that means I have to make a decision as to what I’m doing next month. And I’m almost 100% sure I’m going to Kickstart Awesome Moments starting halfway through the month. Which means I need to swiftly decide whether I’m retooling the art style, and I need to produce some good art for the Kickstarter itself, including the first draft of the PDF, and a couple of pages of finished illustrations.
The Last Legend engine has basic movement, dialogue, and context-sensitive radial menus:
This last week I did what I wanted, when I wanted, and nothing else (except what was required to keep my family and their animals alive, of course). And what I wanted turned out to be the basis of a platforming sequel to my hit game Candy Raid: the factory.
This gif has a lot of little things worth talking about, but let’s get back to it.
I need to either search for a day job, or else gear up to pay my bills with my projects quickly. Option 2 means running a successful crowdfund ASAP. The only project I have that is close to ready for that is Awesome Moments, my Bible Story book.
Because of my social media fast, the earliest I can run the Kickstarter in question effectively is March. If I choose to work my butt off on Hat Trick, or my bestiary, or on this little Candy Raid platformer, I can hypothetically have either of these projects Kickstarter ready by then. But I have to be 100% committed to the project. And my history of underestimating time to completion on projects leads me to believe I’d need at least two months to get either of those ready. And even a successful Kickstarter wouldn’t disburse funds until April.
Which means I need to hunt for a day job.
Sucks to be me, but I’ve been employed at dead-end day jobs for 15 years, and I’ve done the starving artist thing for 6 months. Being jobless definitely helps my projects, but not by giving me more time, but rather by giving me consistent time. If I can get something with regular hours, I should be able to keep my productivity close to the same.
If not, such is life. So let’s talk about how we are going to change our approaches to Vargenstone and Everything Else as a result.
Here are pictures of the Night Mare, in roughly the order I made them:
No relation to today’s post whatsoever. I just lined these up because I wanted to, and I find WordPress’s gallery convenient for the task.
This is my yearly custom of pausing and considering my life’s path and whether I want to continue on current lines, or what course adjustments I should make. As such, there will be an over abundance of navel gazing.
I wanted to get six pages done today. I got four done, and two more written, and I’m not sure if I’ll manage to do the storyboard for those other two today.
At this rate, we shall cover the crucifixion tomorrow, and the resurrection Thursday. Unless I can boost my production to 8 or 10 pages a day, though, I don’t foresee us finishing the story this month. Still, it should be very easy to pick up or wrap up in any spare moments I get over the next couple of months. And If I do boost my production speed (which, for drafts or storyboards, is inexcusably slow), we might yet pull it off.
Still, this bit of production, while less than I need, is more than I’ve been doing, and the right kind of momentum to start the week.
That’s 50 pages done, for a book length of 52 pages. But of course, we’re not done with the story yet. So we’re looking at a final book of 80 to 100 pages, I think. I guess we’ll see when we get there.
I don’t expect to get a lot done this week. In addition to taking Wednesday and Sunday off, as is my custom, I will also be taking Christmas Eve and Christmas Day off.
And I am no longer certain the storyboard will be complete by the end of December. Because I have prior engagements for January, however, I will be dropping it come January whether it is done or not. So, here’s hoping and praying I am inspired to get it finished by then. If not, it may be months before I get back to it.
So far, we’re up to 40 pages storyboarded, and begun on the next 2. It’s not great, but it’s constant forward momentum, which is all we need to finish the job. Well, that and the grace of God.
The focus on Genesis-to-Revelation overview of history with Christ at the center means that the Gospel of Mark is basically my go-to source. He’s got the action-packed supernatural showdown emphasis I am aiming for. But obviously, I’m pulling stuff in from Luke, and from anywhere else I find useful.
Awright. Yesterday was, in general, a good day, despite a town-trip eating half the day I got most of my chores done, four pages of storyboard AND a bunch of work on my Licensed RPG. WordPress was down, so I live-tweeted the process.
Monday I am likely to be engaged in extracurricular activities that will not only prevent me from getting pages done, but even posting my week-beginning log.
So here it is. 30 pages storyboarded. Presuming I work Tuesday and Thursday through Saturday, averaging 4 pages a day, and the story isn’t finished by Saturday, we’ll finish out next week at 46 pages, with 42 on my Friday Captain’s Log.
Per my pastor’s encouragement, I intend to include an appendix explaining my artistic choices and pointing to the Scriptures from which they are drawn. However as the final book’s predicted length approaches 100 pages not counting appendices, and the things I need to explain multiply, I wonder whether I can reasonably include those extra pages.
I may just have to resign myself to it. I want my work to be easily available to the broke and impoverished, but I can’t justify sparing any bit of quality for the confession of faith I leave my own child.
So that’s the plan. I’m very excited for Tuesday. War in Heaven illustration time! Honestly, I’m sufficiently excited about it I may do it today, instead of the stuff I’m kind of sort of planning to do..
This week has been a bit of a trick. Members of my house had major surgery. I was blessed by God and my brother with a building, which I had to help drag to the farm I live on.
The Awesome Moments storyboard remains where it was on Monday. Work on the Candy Raid promo art got done.
I have two more days to this workweek, today and tomorrow. Assuming a minimum of 2 pages per day, that’s 4+ more pages. So, when we hit the ground running on Monday, we’ll see how that went.
I have been toying over the last few weeks with the ideas of taking Sunday and Wednesday off rather than Saturday and Sunday. I tried it out this week, and I think that will be my pattern moving forward.
Psychologically, I’ve noticed my love for Hat Trick has been creeping back. I started on Awesome Moments last month with the assumption that when the storyboard was done, of course I’d Kickstart Awesome Moments first. It’s my most important work after all. But now I am content when this leg of this journey is done to pick up the next leg of the last journey.
Not to mention my January and perhaps February are spoken for.
It’ll be amusing (to me at least) if I produce nothing really in 2020, but come out the gate swinging with multiple products in 2021 because I spent all of 2020 laying the foundations for them.
I’m going to do my pages now. My plan is to do the bare minimum each day to progress, then switch over to work on my RPG engine. However, if the mood strikes to do more than the minimum, I will let the muse have her way. Ciao.