The King of Formats II

There is a thing called comicsgate. I mention it with some trepidation.

When it became obvious that Marvel and DC were more committed to their observance of the Death Cult’s religious shibboleths than even to profit, several groups of people began simultaneously making their own comic books. Some, I consider friends and allies to this day. Some, I wish well, but I would rather ignore them and be ignored by them in turn. Together, this merry band was branded comicsgate.

And then it fractured into pieces as the groups attacked one another. I have my own theory as to who is at fault, but I’ll not share it here. Obviously, my guys were 100% innocent and the other guys were 100% guilty. But I am not in the thick of Comicsgate; I am outside it.

See, I’m not a comic book sort of a dude. I never got ahold of comic books as a kid. While Comicsgate is either reminiscing about the glory days when we didn’t know Wolverine’s true identity, or even delving back farther, to the days when Batman wasn’t afraid of guns, my exposure to the comic art form was 100% newspaper comics.

I knew superhero comics were a thing. My mother loved the Chris Reeves superman movie. I spent hours pouring over a book about Spider man from the local library. I had caught bits of the Adam West TV series. But I don’t have nostalgia for the good old days when comic books were good because the only comic books I had access to where collections of BC, Peanuts, Wizard of Id, Garfield, and Calvin & Hobbes.

And, as I’ve related before, I also had access to books on how to make these newspaper funnies, and articles interviewing Jim Davis, Charles Schulz, Johnny Hart, and eventually, Bill Watterson.

All because five-year-old me miscommunicated and said I wanted to be a cartoonist rather than an animator.

And you know what? I want to be a cartoonist rather than an animator. I love the art of the newspaper comic strip. I think Scott Adams’ formula of 6-dimensional humor is a fantastic innovation in the understanding of the format.

Even though, you know… I’m not making much use of it.

Yep. I’m taking the lessons I’ve learned from the study of newspaper comic strips and applying them to story telling rather than joke telling. And that’s just how I intend to do things.

This is fine. There have always been newspaper comic strips that worked this way. Either mixed humor and storytelling, or else abandoned humor altogether and focused entirely on storytelling.

The newspapers are dying. The Newspaper comic strip is dying. The webcomic is its heir. But the webcomic changes some things.

Newspaper comics were filtered by syndicates and newspapers. Webcomics are unfiltered. The filtering process weeds out visionaries and prophets who defy convention and social norms, but it also weeds out dreck. So now, comics can exist that are better than what the papers would allow … but a lot of other comics exist that previously were denied existence because they were legitimately crap.

Webcomics can have color every day, not just Sundays! And yet I’m ignoring this and working purely in black and white ink. I’ve considered trying to come up with a setup where I use grayscale paper and black and white ink to create a tri-tone comic, or simply adding in a gray after I scan, but I’ve discarded these ideas.

Webcomics can have animation. Again, I’m ignoring this. I’m just making paper comics, but keeping the web in mind.

And that’s the aspect ratio for you. 16×9 doesn’t show up in a lot of newspapers. But it works nicely on Twitter, and if I stack the panels vertically, you can read it on your phone.

This kind of vertical formatting is the innovation of Webtoonz, and now Arktoons as well. Webcomics for a new era. Huzzah. I approve. Especially since, IMO, they will fit nicely in a pocket book printed by KDP.

I think the Newspaper format comic deserves to live. I think I’m going to take it under my wing and continue to produce things in this fashion. I think my 3x16x9 styling will neatly combine the needs of screens and books. But it has other advantages that recommend it to me.

The Format of ADHD

I can spend several months making an illustrated book. I’ve proven it several times over. And I’m definitely going to drag Awesome Moments across the finish line. I don’t know when, but it’s good for my kid to have.

But long projects are hard. If what I am told about ADHD is true, I don’t struggle with controlling my focus; rather, I literally cannot control my focus.

When I try to simplify comic making down enough to make it a rapid prototype, which was the original purpose of this strip, I lose interest. It’s too easy. When I try to do multiple drafts to maximize final quality, as is really ideal for the kids’ books, I lose interest. It’s too long.

If I have an excess of focus, enough to make a proper comic book or (alas) a children’s book, I can make my RPG engine, and that will be better both for me financially, for the culture at large, and of course, for great justice.

But I need enough of a challenge to care. It is not enough to make beans. There has to be craftsmanship.

I have to care.

Captain’s Log 21·6 | 22·B: The King of Formats?

Yesterday in a big mess of brainstorming I circled around the idea of making a prototype comic. Again. You know, the same prototype comic I made back in April. But for real this time, you guys.

Last night, before work, I did concept drawings for the characters. It happened that I had a printout of my pixel art mockup for my Wren game in my clipboard

An older version of this picture

And so I tried to match styles. Which, in turn, the pixel art is an attempt to match styles with the hand drawn art I’ve been doing, so…

I was very pleased with the result, and so I carried my brainstorm across in my 16x9x3 format:

I think that this comic format and my tendency towards cartooning are so suited one to the other that that’s basically what I should do. Just go back to making comic strips of anything I feel like, and hoping that I can eventually harvest fully grown stories off the comic vine.

The art style works best, I think, if the characters are a little more lean and lanky than the pixel art equivalent, but I think drawing to pixel to drawing design pipelines are worth considering.

But here’s another thing. I can produce 2+ strips a day in this format, even when I’m not making Beans. Meanwhile, the average update schedule at, say, Arktoons is once a week.

So why not be random splody and make comics of everything? When I have enough Hat Trick, I’ll ask Arktoons if they want it, and easily keep up a once-per-week upload schedule. When I have enough Jump the Shark, I’ll ask Arktoons… etc, etc, etc.

And maybe Arktoons will turn me down. But I think this is the way forward. I think it always was, even though most of the comics I produced in April and May were false starts. The nice thing about false starts is I can make ’em, then turn around and make the proper starts. It’s all good.

Bunny Trail Junction AKA Magic Beenz is back on the menu. But I think not beenz. The beenz were an experiment, and the result was “It’s aesthetic, but not what I’m going for.”

Captain’s Log 21.6 | 21.A: Concept Singularity 2

I’ve got a bunch of ideas whirling about right now. They’re not organized, and I’m blogging them because it’s better to have them out than in. This is going to take into account many of my recent adventures.

For general blog readability, I’m tucking this beneath a fold, but the conclusion came to me the next day.

Continue reading “Captain’s Log 21.6 | 21.A: Concept Singularity 2”

Concept singularity

26 projects currently listed in Yet Another List of Projects.

John Michael Jones is on the verge of being added to the Alpha Test/Demake not as a skit playing out within the demake…

Which has been under consideration

..but as a focal point of the conceit.

So, we are taking Alpha Test, and merging it with AV@TAR, Crossover Arcade, Jump the Shark, Piqha, Stardogs, Star Knights, AND Theria… and we’re almost at a functioning gestalt.

I just need to cook this stone soup a few minutes longer.

Dr. Eli Stump

Dr. Stump is the foremost expert on therians. He was well prepared for this life by his extensive life making Starnet videos detailing crazy theories about peak media franchises well before he got aboard the sleeper ship headed for Theria, and he doesn’t really care who knows it.

Old Sentinels say that once upon a time, Dr. Stump was a formidable man. That he’s let himself go in the past few years. But Dr. Stump does not talk about the glory days. He talks about therians. And if there’s something you need to know about therians, he almost certainly already knows it.

Captain’s Log, 0210208.060

Well, the week of my nativity is over.

Time to actually get serious.

This last week I did what I wanted, when I wanted, and nothing else (except what was required to keep my family and their animals alive, of course). And what I wanted turned out to be the basis of a platforming sequel to my hit game Candy Raid: the factory.

This gif has a lot of little things worth talking about, but let’s get back to it.

I need to either search for a day job, or else gear up to pay my bills with my projects quickly. Option 2 means running a successful crowdfund ASAP. The only project I have that is close to ready for that is Awesome Moments, my Bible Story book.

Because of my social media fast, the earliest I can run the Kickstarter in question effectively is March. If I choose to work my butt off on Hat Trick, or my bestiary, or on this little Candy Raid platformer, I can hypothetically have either of these projects Kickstarter ready by then. But I have to be 100% committed to the project. And my history of underestimating time to completion on projects leads me to believe I’d need at least two months to get either of those ready. And even a successful Kickstarter wouldn’t disburse funds until April.

Which means I need to hunt for a day job.

Sucks to be me, but I’ve been employed at dead-end day jobs for 15 years, and I’ve done the starving artist thing for 6 months. Being jobless definitely helps my projects, but not by giving me more time, but rather by giving me consistent time. If I can get something with regular hours, I should be able to keep my productivity close to the same.

If not, such is life. So let’s talk about how we are going to change our approaches to Vargenstone and Everything Else as a result.

Continue reading “Captain’s Log, 0210208.060”

Captain’s Log, 0210201.073: Keep Moving Forward

Here are pictures of the Night Mare, in roughly the order I made them:

No relation to today’s post whatsoever. I just lined these up because I wanted to, and I find WordPress’s gallery convenient for the task.

This is my yearly custom of pausing and considering my life’s path and whether I want to continue on current lines, or what course adjustments I should make. As such, there will be an over abundance of navel gazing.

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Drams Æther

Æther is measured in drams, which are also the unit of currency in many lands where the substance is harvested and used in various machinations. The units are as follows. Four drams (4ᵭ) to the nip. 3 nips (3ꬻ) to the gil (1ꬶ). 1ꬶ of aether is about a teacupfull liquid radiant. Dram coins frequently (depending on the local culture) have an aether crystal set in the coin itself, whereas larger denominations of coins are theoretically exchangeable for aether. Seximal and duodecimal denominations are normal for other currencies.

Of course, a 1 gil aether stone may be worth considerably more or considerably less depending on the intensity and nature of the radiance stored therein and on market forces.

This is a test…

Obviously, these panels are not finished. But I need to see if WordPress’s gallery feature behaves as I expect.

In other news, I briefly toyed with making Alpha Test out of HD sprites and backgrounds. It would be… really sweet. But it would be too much work.

For now.

Image

All right. Let’s finalize ’em and try a different gallery layout.

Horizontal.

Vertical.

Captain’s Log 0201019.205: Gap

Lost all of last week. My tent was well suited to my working at a slow but steady rate, but now winter is making overtures.

Image

By the weekend I had settled on converting the basement into an art dungeon. And then I injured my knee, rendering large quantities of stair-climbing inadvisable.

My knee is just about good enough now that I can start building my art dungeon tomorrow. However, I also have a lot of busywork to catch up on unrelated to my comic, so my objective for this week is to catch up on responsibilities, and maybe, hopefully get a page or two done. My ultimate objective is to handle all my potential excuses so that I have no excuses remaining next week.

I’ve done some musing in the mean while.

Continue reading “Captain’s Log 0201019.205: Gap”