Captain’s Log 21·6 | 22·B: The King of Formats?

Yesterday in a big mess of brainstorming I circled around the idea of making a prototype comic. Again. You know, the same prototype comic I made back in April. But for real this time, you guys.

Last night, before work, I did concept drawings for the characters. It happened that I had a printout of my pixel art mockup for my Wren game in my clipboard

An older version of this picture

And so I tried to match styles. Which, in turn, the pixel art is an attempt to match styles with the hand drawn art I’ve been doing, so…

I was very pleased with the result, and so I carried my brainstorm across in my 16x9x3 format:

I think that this comic format and my tendency towards cartooning are so suited one to the other that that’s basically what I should do. Just go back to making comic strips of anything I feel like, and hoping that I can eventually harvest fully grown stories off the comic vine.

The art style works best, I think, if the characters are a little more lean and lanky than the pixel art equivalent, but I think drawing to pixel to drawing design pipelines are worth considering.

But here’s another thing. I can produce 2+ strips a day in this format, even when I’m not making Beans. Meanwhile, the average update schedule at, say, Arktoons is once a week.

So why not be random splody and make comics of everything? When I have enough Hat Trick, I’ll ask Arktoons if they want it, and easily keep up a once-per-week upload schedule. When I have enough Jump the Shark, I’ll ask Arktoons… etc, etc, etc.

And maybe Arktoons will turn me down. But I think this is the way forward. I think it always was, even though most of the comics I produced in April and May were false starts. The nice thing about false starts is I can make ’em, then turn around and make the proper starts. It’s all good.

Bunny Trail Junction AKA Magic Beenz is back on the menu. But I think not beenz. The beenz were an experiment, and the result was “It’s aesthetic, but not what I’m going for.”

Captain’s Log 21.6 | 21.A: Concept Singularity 2

I’ve got a bunch of ideas whirling about right now. They’re not organized, and I’m blogging them because it’s better to have them out than in. This is going to take into account many of my recent adventures.

For general blog readability, I’m tucking this beneath a fold, but the conclusion came to me the next day.

Continue reading “Captain’s Log 21.6 | 21.A: Concept Singularity 2”

Aseprite 1.3; Mixing Pixels and HD

Yesterday, the beta version of Aseprite 1.3 dropped for Steam users. I use Aseprite to make pixelart animations…

…and Pyxel edit to make the tiles. Pyxel Edit lets you edit a tilemap with your tiles in it that gets live-updated as you work on the tiles, allowing you to very quickly make a very functional tileset.

Now you’ll note that not everything on the screen is my tileset. I like to dedicate layers to characters and objects so I can preview how the whole thing will look together.

Well, Aseprite 1.3 added tile features. And…

… they don’t hold a candle to Pyxel Edit’s. They’re a very good start. And I like these tiles better mostly because I made them with the lessons learned from making a tileset in Pyxel. But you can’t easily flip tiles. Rearranging your tile palette changes the tile map because the tile map stores the tile indices and doesn’t change them when you monkey with your palette. Oh, and you can’t export your tileset.

I’ll repeat that. You can’t export your tileset.

You have to build the image you want to be your tileset and export that.

That’s not 100% a deal breaker. Some people would rather export an image because it is more convenient to them to have the tileset arranged a specific way.

On the other hand, Aseprite’s general pixel art tools are, for the most part, way better, and the two programs do not gracefully copy and past art to one another. There’s a huge amount of convenience in saying, “You know what, I’m tired of working on the tiles right now, I’m going to tweak that tree.

I also added a third character to the mix and discovered that Wren was too short. When compared to “normal” people in the game, she will look like a child in a bikini. Wren is not entirely human, and canonically characters do assume she’s younger than she his because of her unusual height, but it was too far. So, I fixed that.

At the end of the day I don’t know whether I’m going to stick with my current, split workflow, or switch to an all-Aseprite workflow. The pros and cons of each workflow are dancing on a razor’s edge.

High Definition

So, let’s do a quick mockup on how the game might look if we use pixel art for the world, but a high definition interface:

If I’m going to put conversation on the bottom of the screen, I might want to consider pushing the world design so that the action happens higher up. The top of the screen certainly is more spacious, and a more reasonable place to put interface. If I move dialogue up there, I’ll have to change the visual metaphor for the character graphics, maybe stick the face in a box. But overall, I don’t hate the look.

I was planning on making combat menus radial, bursting out of the player when the time comes to menu, but in my mockup test, it felt right to have buttons materialize under a character’s stat bar. But I’m not decided.

I need to try it out, see what works. At this point, the next step is to give Wren a walking animation and get gameplay up and running.

I’m sad that you can arrange a palette in uneven rows in Pyxel, but not in Aseprite. Ah well.

Captain’s Log 21·5 | 24·A: The Random Adventures of Wren Valen the Wanderer

So, for context, I’m going to tell you roughly how I’m beginning to organize my life.

I keep a deck of blank, poker sized playing cards, on which I take notes. Both to-do lists, but also anything I need to remember for whatever reason.

The numbering format is WW·X | YY·Z where WW is the two digit year, X is the one digit month (A=10, B=11, C=12), YY is the two-digit day, and Z is the note. When notes follow up on each other, a series of numbers goes underneath the note ID.

At times of my choosing, I go through these notes, and rewrite them to put in my Zettelkasten. This is my permanent external memory. Cards that get copied from my journal to my Zettelkasten get cross-referenced so I can go to my monthly archive and see the context of the thought.

Well enough, but what if I need more illustration and room to write? Well, I take the comic format I developed for Bunny Trail Junction…

… and decided was too intense, and bean-ified it..

And I simply index it the same way.

So here’s a gif of the game as it sits so far:

And here are the Wren Beans I’ve collected, making this post the official stop for the Wren Valen RPG

Today’s big projects are contemplative, though I may do physical work as well. By integrating bullet journaling but on playing cards with the Zettelkasten, I have brought together a collection of lessons that have changed how I approach the question of what I should create and how, and I’m going to navel gaze about it below the fold.

Continue reading “Captain’s Log 21·5 | 24·A: The Random Adventures of Wren Valen the Wanderer”

Digging into my Slip Box

So, I’ve been sort-of-kind-of bullet journaling, except on blank playing cards. The same ones I use in my Zettelkasten. And then indexing the cards in a manner like unto the zettelkasten.

Hilariously, even though when I took to Bullet-Journaling™ and realized I could combine techniques from Smart-Noting™, the idea to dip back into my deck and see how my current thought meshes with lessons from my past didn’t occur to me.

But last night, I started reading Not All Fairy Tales Have Happy Endings, and today I decided since I was going to consolidate my notes from that and decide how I would proceed with my Candy Raid sequel from there, I figured I might as well break out the Zettelkasten itself and see how it all worked out.

And well I did. I have learned several lessons in the past that I was ignoring. As well as several lessons I learned recently As well as several lessons I learned recently AND in the past.

Here are a handful of lessons I decided I need to be daily reminded of. Some are good advice in general, others are tailored to my specific personality and style, and are probably bad advice for people who are not very similar to me.

  • SAY WHY. Even to children. Even to yourself. Nobody is motivated without a WHY.
  • COMMIT strongly but rarely, and CUT your losses swiftly when your gut says to do so.
  • PROVOKE yourself to action with challenges. Race the clock. Make bets with yourself.
  • The correct challenge is seldom the easy one. CHOOSE the challenge with the right amount of meaning and awesomeness.

So, heck with it. I’mma make a JRPG. Not an adventure game, we’re gonna get the combat right in. And instead of tinkering with a property I’m apathetic about, I’m breaking out the Naval Navel herself, the Girl Goblin, my wife’s favorite of my past creations, Wren Valen, the Flying Privateer!

“Wait, did she magically become a redhead halfway through?”

Yes. Hollywood has decided to blackwash all the gingers, and I have decided in return to gingerwash every one of my own characters whose hair and skin color is inessential to the character. This is why John Michael Jones, who is supposed to be a bog-average boy, is a redhead instead of having brown hair.

Obviously Jump the Shark is a shark, and Sera Mermaid was already published as a blonde. Most of my characters cannot be ginger for one reason or another. But those what can, are. And Wren can.

Allons-y!

Captain’s Log 0210416.105: It Could Be a Bit More Awesome

Thanks to a retreat last weekend with my best friend, I realized that I’ve been focusing heavily on what is pragmatic in my constant quest for a golden workflow road.

No project is worth doing unless it’s full of awesome. Now, all of my projects have that potential, but I have not been specifically seeking that potential out. I’ve been looking for a way to do cheap and easy, instead of investing time.

I’m not sure how this revelation (which I need to rediscover from time to time) is going to shape projects in the immediate future. Awesome Moments itself may resume being my focus on the other side of the Weekend. However, we shall see.

In the mean time, here’s a workflow for making HD animations using Spriter & Krita:

Step 1: create prototype graphics at half size. Be careful about form and posture, and sloppy about everything else. The initial version of a character, especially if I intend to use character maps, should have out-jutty things designed to ensure each part takes up as much space as it ever likely will.

Here’s the Solar Guard, created for that exact purpose:

Step 2: Export at 4X size (that is, 2x the intended size; 4x the ‘sketch’ size) and animate in Spriter. Here, I am intending to shrink the graphic in Unity. By going to 4X size, I can allow for an amount of zooming without losing detail.

Step 3: Open the generated graphics in Krita and save them as *.kra files. Double the size once more, draw final quality art on new layers, then export it to a new skin folder at half size as png.

Apply skin in Spriter and see how it looks.

I may abandon shading on characters, in line with old cartoons where the backdrops were carefully painted and shaded, but the characters had flat coloring except in extreme situations. But I am content with this workflow and this art style.

I think after I’m done with Awesome Moments and in between books, I’m going to work on making a hand drawn game with Piqha. Maybe it’ll be an RPG. Maybe a platformer. Maybe I’ll work on both and see what happens. Maybe I’ll backburner Awesome Moments until my heart is in it again.

We’ll see what happens. But I need to feed my kid and the farm aminals.

Concept singularity

26 projects currently listed in Yet Another List of Projects.

John Michael Jones is on the verge of being added to the Alpha Test/Demake not as a skit playing out within the demake…

Which has been under consideration

..but as a focal point of the conceit.

So, we are taking Alpha Test, and merging it with AV@TAR, Crossover Arcade, Jump the Shark, Piqha, Stardogs, Star Knights, AND Theria… and we’re almost at a functioning gestalt.

I just need to cook this stone soup a few minutes longer.

What if

Cache Miss, the story about game sprites swapping between living in a ghost town and re-enacting stories…

Was also Piqha, the cast of colorful shelled bird-man gremlins and…

Was also Stardogs/Starlancer, my answer to the Berenstain Bears and Star Trek?

What if the handheld game console on which the sprites lived was a spaceship. Or more accurately, a ship designed to navigate the Dream, where stories have substance. And a piqha family uses that ship to rescue story characters who are being jettisoned by a mind virus that is ravaging the fictional worlds of the Dream.

It’s Wreck it Ralph meets Kingdom Hearts. Except politically too on the nose.

But the on-the-noseness will abate as the concept sees development. As I work out the rules of the reality and the motivations of the characters.

I think this is it. I think I’ve solved my story equation.

Only problem is this thing. This thing ain’t no spaceship.

Let me fix that for ya.

Now that’s a spaceship!

Captain’s Log 0210326.071

Proof is in.

Blanket Octopus : pics

Oops. That’s not my proof. That’s a blanket octopus. The females fly through the sea with superhero capes. The males went undiscovered until very recently because they max out at an inch long.

Ahem.

Image
Image

Work on getting my paperwork squared away for the Kickstarter proceeds slowly. My first read through of the book as already identified multiple grievous errors.

And I feel this close to figuring out my ‘golden path’.

wait, what?

Piqha

Evolving Piqha

Piqha started as digital creatures that live inside the computer who were characters for a game I made when I was a teenager.

I later decided they were not, in fact digital, but were some kind of psychic mollusk, and noted that they had many, many advantages as a creature design:

They are basically faces with feet and stylized shells. Easy to model in 3D, easy to get a wide range of character styles while keeping to the core concept.

Piqha are my creatures. Like the muppets of Jim Henson and the Whos of Seuss. In addition to being very marketable and very personable, they feature a lot of things I like. Basic shapes. Big, expressive faces, Marvin Martian style glowing eyes in an orb of darkness. Cool armor effects. And crystals. Gotta have glowing crystals everywhere.

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