Yesterday I read The Trojan Mouse: How Disney is Winning the Culture War by Samuel Lively.
One of my constant contentions is that the serious plays in the culture war are to play the long game by building families and making entertainment. So it seemed this book would be up my alley. And it was and then some. The book traces both the physical and ideological histories of Disney. It is of peculiar interest to me because I grew up during the Disney Rennaisance in a Baptist-adjacent family. So I caught both the Baptist Boycott denunciations of the Mouse, and the average Joe’s apathy to that boycott.
When I analyzed Disney movies for myself at the time (as a teenager, mind you,) my conclusion was that the more wildly occultic and salacious accusations were overblown (which in turn made them easy to dismiss), but the philosophical trends were real. There were no secret pentagrams in the animation, but the Mouse had switched from a default of honoring the parents to a default of undermining them.
To this very day, though, most people will look at me like a crazy person if I tell them I don’t want to take my kid to the latest Disney flick, let alone something so old that present day Social Justice Warriors find it problematic.
The Baptist Boycott didn’t work. Audiences naturally rejected the more explicitly subversive Disney Renaissance flicks organically — Hunchback and Pocahontas did not do comparatively well — but Aladdin and Mermaid did extremely well despite (despite?) having as their core value the idea that horny teens ought to ignore their parents.
To a certain degree, people will choose what is bad for them. Humanity is fallen. But to a certain degree, people will choose the good over the bad. Even the most depraved sugar addict will choose steak and vegetables over a plate of manure. People won’t, in mass and as a rule, choose nothing at all. Audiences favored Toy Story over Pocahontas. Was it because of the shiny new 3D, or because it was more in alignment with core American values? Hard to say. But Aladdin didn’t really have that kind of competition.
I’ve already made some kids’ books, and will continue to do so, but books are seeds of the culture war; the fighting happens on screens, with music and animation and acting and drama. It may be best for me to stay behind the lines planting seeds. It may be best for me to try and charge for the front line and use my animation skills. I don’t know. But in the spirit of putting that conundrum to the test, I’ve begun work on a video game, which is the best route for my skill stack to reach the screens.
Hat Trick 1: the Death of Arthur is the start of a dark Christian scifi/fantasy serial. And it has pictures! Check it out now on Amazon.