Trojan Mice

Yesterday I read The Trojan Mouse: How Disney is Winning the Culture War by Samuel Lively.

One of my constant contentions is that the serious plays in the culture war are to play the long game by building families and making entertainment. So it seemed this book would be up my alley. And it was and then some. The book traces both the physical and ideological histories of Disney. It is of peculiar interest to me because I grew up during the Disney Rennaisance in a Baptist-adjacent family. So I caught both the Baptist Boycott denunciations of the Mouse, and the average Joe’s apathy to that boycott.

When I analyzed Disney movies for myself at the time (as a teenager, mind you,) my conclusion was that the more wildly occultic and salacious accusations were overblown (which in turn made them easy to dismiss), but the philosophical trends were real. There were no secret pentagrams in the animation, but the Mouse had switched from a default of honoring the parents to a default of undermining them.

To this very day, though, most people will look at me like a crazy person if I tell them I don’t want to take my kid to the latest Disney flick, let alone something so old that present day Social Justice Warriors find it problematic.

The Baptist Boycott didn’t work. Audiences naturally rejected the more explicitly subversive Disney Renaissance flicks organically — Hunchback and Pocahontas did not do comparatively well — but Aladdin and Mermaid did extremely well despite (despite?) having as their core value the idea that horny teens ought to ignore their parents.

To a certain degree, people will choose what is bad for them. Humanity is fallen. But to a certain degree, people will choose the good over the bad. Even the most depraved sugar addict will choose steak and vegetables over a plate of manure. People won’t, in mass and as a rule, choose nothing at all. Audiences favored Toy Story over Pocahontas. Was it because of the shiny new 3D, or because it was more in alignment with core American values? Hard to say. But Aladdin didn’t really have that kind of competition.

I’ve already made some kids’ books, and will continue to do so, but books are seeds of the culture war; the fighting happens on screens, with music and animation and acting and drama. It may be best for me to stay behind the lines planting seeds. It may be best for me to try and charge for the front line and use my animation skills. I don’t know. But in the spirit of putting that conundrum to the test, I’ve begun work on a video game, which is the best route for my skill stack to reach the screens.


Hat Trick 1: the Death of Arthur is the start of a dark Christian scifi/fantasy serial. And it has pictures! Check it out now on Amazon.

Oxygen

Rawle Nyanzi recently proposed Brand Zero. Namely: don’t promote major media. Don’t talk about them even as negative examples, because doing so promotes them and increases their brand. Nyanzi extends this not just to subversive and disgenic brands like the Mouse, but even brands he likes and respects. From his comments on Brian Niemeier’s blog:

Anime has a lot of mainstream visibility… Big, well-trafficked sites discuss anime, and it is a frequent topic on social media. Those companies need no help getting the word out; if you want to recommend an anime to someone, do so in private conversation…

The flip side of Brand Zero is Oxygen. Do talk about the little artists who can use the exposure.

Jon Del Arroz makes comic books and steampunk. Brian Niemeier does science fantasy horror and, recently, mecha military books that are Gundam meets Battletech. Rawle Nyanzi has released a mecha book with strong Sailor Moon influences and is trying his hand at pixel art animations.

Bradford C. Walker wrote a mecha book that’s Robotech, except instead of Zentraedi you have demons, and instead of the UN you have Medieval Catholics.

The Last Ancestor is about human refugees fighting for survival on a planet of dog men.

Adam Smith has Christian Paladins engaging in fisticuffs with demons in post apocalypse America. And of course, I have a dark magician bunny fighting the Night Mare.

It’s not enough to reduce the big names to Brand Zero. We’ve got to give each other oxygen.

The Green Road

Just got a review copy of The Crimson Spark, by William Hastings. It’ll be coming out on the eleventh of November.

frontcover.jpg

It’s good. It’s a story of abused children rising up and overcoming the scars on their souls with a fantasy overlay. There’s beetlebending in it. And there are swords.

I wholeheartedly recommend it.

YA. Potentially not suitable for very young children. Though I dunno, maybe it is.